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The trademark Dark Tranquillity style is evident everywhere – seamless changes between heavy and soft passages, blistering guitar playing, and tasteful drumming with lots of finesse. On top of this, the keyboards and other electronic elements are superbly done and really add another dimension to the music.
Unlike Projector there isn't much clean singing on this record but don't let that stop you from experiencing what is arguably one of the finest moments of Gothenburg-style melodic death metal. This gets my highest recommendations!
Stand-out tracks: All.
Video of The Wonders at Your Feet (live recording):
Stand-out tracks: Close Behind, Much To Cry About, Waste Another Day, Burn Me and Blind Me, Drown (and pretty much the rest!)
In mid-2006 I was fortunate to attend one of Edith's live shows (Palace, Norrköping) and also talk to her afterwards. During the entire gig I stood a couple of meters from the stage, keeping eye contact with Edith and her band most of the time. Needless to say it was an awesome concert, without question the best of the year.
Video of Much To Cry About:
Video of Waste Another Day.
I've read some reviews claiming that the songs are too similar and lack melody hooks, but nothing could be further from the truth. Quality music like this deserves a couple of listening sessions before you can appreciate all details, but it's time well spent.
Stand-out tracks: Sweet Sacrifice, Weight of the World, Cloud Nine, The Only One, Your Star.
Recording of Cloud Nine:
Intense drumming, plenty of keyboards and of course a wall of guitars make this an energetic listen. Of course, if every musician was playing full blast at all times it would become pretty monotonous, but that isn't the case here. Tempo shifts, acoustic intermissions, beautiful keyboards which add texture as well as carries the melody, frequent double-bass pedalling and similar treats complement the excellent song-writing. The last part deserves to be emphasized because this is high-quality work from start to finish. Definitely recommended for those into complex metal.
Stand-out tracks: They are all great, but the opener Dreaming Into Reality with its delightful ending is especially noteworthy.
Stand-out tracks: Different World, The Pilgrim.
Video for Different World:
In the end it's the tried and true Kamelot recipe so nothing breaks the mold, but what we get is masterfully executed. I play this disc quite often to immerse myself in Roy's smooth and pleasing voice. Those who don't yet know what I'm talking about should absolutely listen to the Karma clip below for this reason alone.
Stand-out tracks: The Spell, Karma, The Light I Shine on You, Elisabeth: III Fall From Grace.
Video of Karma from their official live DVD:
Both drums and guitars are handled by ex-Helloween members, but on this record they offer more intricate and rewarding performances than I can recall ever hearing from them in their former band. The instrumental part starting at 1:50 in Crimson Rider and culminating in a mind-blowing solo layered on top of some blasting drum beats is but one of the magic moments on the album; the first minute and a half of the closing Black in the Burn is equally captivating.
German power metal is admittedly a genre filled with derivative bands and stereotypical songs, but Aeronautics stands heads and shoulders above its counterparts.
Stand-out tracks: Crimson Rider, Back For My Life, Dark From the Dying, Falling Sparrow.
Video for Back For My Life (with some soloing edited out):
Stand-out tracks: Spreading the Disease, The Mission, Breaking the Silence, I Don't Believe in Love, Eyes of a Stranger.
Video of I Don't Believe in Love:
Audio clip of Electric Requiem / Breaking the Silence.
The songs are chock-full with intelligent melody hooks, often displaying a great variation not only between tracks but also within each one. Silk-smooth choruses are joined by aggressive parts in perfect combination. And did I mention the guitars? This is a treasure chest for air guitarists! Just listen to The Kaleidoscopic God with its cool chops – the soloing at 2:30 is no less than divine, and the evil riffing at 4:43 is pure genius.
If it isn't obvious by now how I rate this record, let's spell it out: run, don't walk, and buy right away! You can thank me later.
Stand-out tracks: The opening triplet of The Illusionist, Slave to the Subliminal and Mind Machine, Dreaming 24/7, The Kaleidoscopic God, Oscillation, The Path of Least Resistance, Deviate From the Form.
Video of The Illusionist:
Basically a straight-ahead rock/metal album with no big surprises, save for the amazing riff which the aforementioned track is built on. Yeah, that one is an all-time classic, and the song itself epic in style with a really nice build-up from the start to the chorus. If only they had trimmed the ending a bit, but who am I to complain? All guitar solos on the record, varying from speedy to emotional, are nicely done and often joined by a second guitar before the song resumes. A funny thing I noticed is that almost every track starts with David DeFeis giving a scream in one way or another... yeah!
Stand-out tracks: On the Wings of the Night, Chains of Fire, The Burning of Rome, Lion in Winter.
This is one of my favorite concert DVDs, all categories. Both picture (4:3 only, no widescreen) and sound (stereo and DD 5.1) are excellent. Most importantly, the song selection includes a lot more tracks than the Mirrorball CD version so be sure to get this one. Sarah's singing is as close to flawless as can be asked for live, and the skilled band produces a warm and enveloping sound that fits the songs perfectly. All in all, a wonderful rock concert!
In 2004 I saw Sarah live for the first – and so far only – time (Circus, Stockholm). It was every bit as good as the DVDs, and to my great joy she even played Silence which is a rare happening. I hope I'll get another chance some time.
Video of Possession from a live apperance:
A recording of Fumbling Towards Ecstacy from another concert.