From rec.arts.sf.reviews Sat Aug 10 22:30:44 1996 Path: news.ifm.liu.se!solace!news.ecn.uoknor.edu!qns3.qns.net!imci4!newsfeed.internetmci.com!hunter.premier.net!netnews.worldnet.att.net!cbgw2.att.com!nntphub.cb.lucent.com!not-for-mail From: rhodes_steve@tandem.com (Steve Rhodes) Newsgroups: rec.arts.movies.reviews,rec.arts.sf.reviews Subject: RETROSPECTIVE: WESTWORLD (1973) Followup-To: rec.arts.movies.past-films,rec.arts.sf.movies Date: 5 Aug 1996 20:51:13 GMT Organization: Tandem Computers, Inc. Lines: 77 Sender: eleeper@lucent.com (Evelyn C. Leeper) Approved: eleeper@lucent.com Message-ID: <4u5ms1$26o@nntpb.cb.lucent.com> Reply-To: rhodes_steve@tandem.com (Steve Rhodes) NNTP-Posting-Host: mthost2.mt.lucent.com Summary: r.a.m.r. #05748 Keywords: author=Rhodes Originator: ecl@mthost2 Xref: news.ifm.liu.se rec.arts.movies.reviews:5087 rec.arts.sf.reviews:1042 WESTWORLD A film review by Steve Rhodes Copyright 1996 Steve Rhodes RATING (0 TO ****): ** 1/2 WESTWORLD (1973) was famous author Michael Crichton's first attempt at directing a movie for the big screen. He also wrote this erratic but nevertheless engrossing film. Conceptually the film is more interesting that the realization due to Crichton's poor direction, all of this notwithstanding, the film is worth seeing. The show's premise is thought-provoking. What if you could do more at an amusement park than just ride through a pseudo-environment? What if the Pirates of the Caribbean allowed you to actually become a real pirate? What if you could use real guns and kill robots that were completely indistinguishable from real people? In other words, how about a park where you can enter a fantasy world that for all intents and purposes is a real world? You have got to admit that the setup for this high concept movie is intriguing. One part I especially like is that there is a subtle way in which robots differ from real humans in their appearance, and it stems from the same problem that great artists have in drawing the human body. I will not revel the difference. Rent the film to find out. Peter Martin (Richard Benjamin) and John Blane (James Brolin) decide they want to get away from the stress of life by going to such an amusement park. Given many choices they choose to be cowboys in the Old West. They get to kill other cowboys in fights and to run around with loose women. They have a great time. In an adjoining part of the park another group of happy campers get to relive the bacchanal of ancient Rome. Their toga parties are much better than in ANIMAL HOUSE. The toughest gunslinger in the Wild West section is a robot played by Yul Brynner. Peter and John having great fun killing him, but overnight the technicians back at the command center keep fixing him up and giving him better programs so he will be harder to kill the next day. As anyone who has seen JURASSIC PARK can guess, the park develops a bit of a problem and the robots start misbehaving. They develop the nasty habit of trying to kill the guests. Imagine one of Disney's pirates firing at you with real guns? A bit more realism than most of us would want. This all sounds much better than it is due mainly to Crichton's plodding pacing. The film goes so slow that you find yourself wishing your VCR had one of those double speed modes where you could still hear the voice. The best part of the show happens at the command center which is a 1970's version of the center in JURASSIC PARK. Other than the equipment differences, notice how they need many people to operate the command center in WESTWORLD whereas in JURASSIC PARK a single programmer does it all. Overall, watching this highly uneven movie is a blend of falling asleep out of boredom when nothing is happening to being fascinated with what is going to happen next. If you like science fiction, you will probably enjoy seeing the movie. Be prepared however to be frustrated by its low energy level. WESTWORLD runs just 1:28 but feels a lot longer. It is correctly rated PG for low key cartoonish violence. It would be fine for any kid 6 and up although they probably need to be 9 or 10 to be interested. I recommend this unusual show to the adventuresome, but don't watch it close to bedtime or you may never be able to see the ending. It is easy to find your eyelids getting heavy in the many slow parts. I give the film ** 1/2. ______________________________________________________________________ **** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = One of the worst films of this or any year. Totally unbearable. REVIEW WRITTEN ON: July 12, 1996 Opinions expressed are mine and not meant to reflect my employer's. From rec.arts.sf.reviews Wed Mar 17 15:59:37 1999 Path: news.ifm.liu.se!news.lth.se!feed2.news.luth.se!luth.se!cam-news-hub1.bbnplanet.com!cpk-news-hub1.bbnplanet.com!news.gtei.net!newsfeed.cwix.com!206.86.34.12!iad-peer.news.verio.net!peer.news.verio.net!sea-feed.news.verio.net!feed.news.verio.net!netnews1.nw.verio.net!netnews.nwnet.net!news.u.washington.edu!grahams From: monika@darwin.inka.de (Monika Huebner) Newsgroups: rec.arts.movies.reviews,rec.arts.sf.reviews Subject: Retrospective: Westworld (1973) Followup-To: rec.arts.sf.movies Date: 17 Mar 1999 06:02:13 GMT Organization: Individual Network Region Karlsruhe e.V. Lines: 48 Approved: graham@ee.washington.edu Message-ID: <7cngh5$11gu$1@nntp3.u.washington.edu> NNTP-Posting-Host: homer07.u.washington.edu X-Trace: nntp3.u.washington.edu 921650533 34334 (None) 140.142.17.40 X-Complaints-To: help@cac.washington.edu NNTP-Posting-User: grahams Summary: r.a.m.r. #17234 Keywords: author=huebner X-Questions-to: movie-rev-mod@www.ee.washington.edu X-Submissions-to: movie-reviews@www.ee.washington.edu Originator: grahams@homer07.u.washington.edu Xref: news.ifm.liu.se rec.arts.movies.reviews:16433 rec.arts.sf.reviews:2274 Westworld A movie by Michael Crichton With Yul Brynner, Richard Benjamin, James Brolin and others Clever marketing strategists created a very special theme park: At Westworld the stressed-out vacationer can relax in an unusual way and experience things he will never forget for the rest of his life. Who hasn't dreamt of being a sheriff in the Wild West, see the pleasures of ancient Rome or win the love of a medieval queen by defeating the Black Knight? Westworld gives you the opportunity to live your dreams at a time when time travel still belongs in the realm of science fiction. The tourists are cared for by hi-tech robots that look incredibly human. But as you know the best technology is only good as long as it works. If the circuits blow due to a technical defect the most human robot is just a machine... Those somewhat familiar with the works of Michael Crichton can probably guess what this movie is about. My first thought was: the man's relation with theme parks is a bit strange. Even if Westworld isn't plagued by rambling dinosaurs like JURASSIC PARK some 20 years later, this early version of a story warning about the menace of exaggerated use of technology is everything but colorless. On the contrary: The fact that this story deals with human looking robots that can't be told from real people makes everything more ghastly. Imagine being chased by a gunslinger - played brilliantly by Yul Brynner - whose only aim is to kill you because his circuits were messed up by a major blackout in the conrol center. You can't kill him like a normal man and he acts with the precision of a machine, cold and unfeeling. The pleasure seekers in the ancient Rome and in the medieval castle are no better off. There, too, the robots were affected by the blackout and the Black Knight doesn't want to give up his victory. The vacation turns into a nightmare, brilliantly and eerily staged. Many blame Crichton for being anti-technology, which I never quite understood. His books and movies rather make you think about the dangers of a naive faith in the infallibility of technology. And that is an impulse that can't hurt in these times. His vivid imagination and not exactly squeamish use of violence serve to entertain the viewer or reader, which all in all is the purpose of a thriller. A gloomy vision of an artificial world that hopefully never will come true. Homepage: Book and movie reviews http://sites.inka.de/darwin