From /tmp/sf.4146 Tue Aug 9 01:48:42 1994 Path: liuida!sunic!EU.net!howland.reston.ans.net!cs.utexas.edu!convex!news.utdallas.edu!rdxsunhost.aud.alcatel.com!aur.alcatel.com!sheol!dont-reply-to-paths From: mcgregoa@cognos.com (Alayne McGregor) Newsgroups: rec.arts.sf.reviews Subject: DEERSKIN by Robin McKinley Followup-To: rec.arts.sf.written Date: Mon, 14 Mar 1994 15:16:47 GMT Organization: not specified Lines: 65 Approved: sfr%sheol@concert.net (rec.arts.sf.reviews moderator) Message-ID: <9403111950.AA14298@cognos.COM> NNTP-Posting-Host: aursag.aur.alcatel.com DEERSKIN by Robin McKinley reviewed by Alayne McGregor Think back 40 years: who were the acknowledged writers of fantasy? Tolkien, Lewis, Lovecraft, MacDonald, Machen, Pratt, de Camp, Leiber: men all, with the valiant exception of C.L. Moore. Then came Andre Norton and Ursula LeGuin, Susan Cooper and Diana Wynne Jones, Katherine Kurtz and Marion Zimmer Bradley, and the balance shifted. But, if you read earlier books by these authors, you could understand how Alice Mary Norton could call herself Andre, without almost anyone realizing. It wasn't until books like Norton's _The Year of the Unicorn_, Bradley's _The Shattered Chain_, or LeGuin's _Tehanu_ that fantasy could be said to have an explicitly female viewpoint. With _Deerskin_, Robin McKinley has carried this process one step further. She has written a book that, while accessible to both sexes, would not be written by a man. The themes of violation, survival, redemption, and love are as true for men as for women, but the story itself has a specifically female resonance. Which means that men should read it. You might learn something about the other solitude. _Deerskin_ is actually based on a fairytale by French writer Charles Perrault. Perrault's story, _Donkeyskin_, is usually presented in a bowdlerized form, if at all, because of its subject matter. It begins with a queen, the loveliest woman in seven kingdoms, and the king who wooed and won her, and their enduring love. They have only one child, a daughter. But, after many years, the queen sickens and dies. On her deathbed, she makes the king promise to not to marry again unless he can find a woman as lovely as she was. After her death, the king is mad with grief for many months. Then, at a court event, he realizes that his daughter is growing up to be as lovely as her mother. McKinley has shown extraordinary skill in handling the difficult subject matter of this book. She never exploits the emotions inherent in her scenes or crosses into bathos. And she balances it very well: this is not a grim book despite its grim plot. The scenes with the puppies and on the road shine with hope and joy, contrasting well with the fearsome court scenes in the first few chapters. _Deerskin_ takes an old story and an old story form and makes it new and compelling. This is one of the best fantasies of the last few years: an tale of bravery and endurance that deserves to be read. %T Deerskin %A Robin McKinley %C New York %D June 1993 %I Ace %O hardback, US$17.95, CDN$22.50 %G ISBN 0-441-14226-5 %P 309pp